Does heaven exist? With well over 100,000 plus recorded and described spiritual experiences collected over 15 years, to base the answer on, science can now categorically say yes. Furthermore, you can see the evidence for free on the website allaboutheaven.org.

Available on Amazon
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This book, which covers Visions and hallucinations, explains what causes them and summarises how many hallucinations have been caused by each event or activity. It also provides specific help with questions people have asked us, such as ‘Is my medication giving me hallucinations?’.

Available on Amazon
also on all local Amazon sites, just change .com for the local version (.co.uk, .jp, .nl, .de, .fr etc.)

Sources returnpage


Category: Poet

Kao-Shih also known as Gao Shi (ca. 704–765), was a poet of the Tang Dynasty, two of whose poems were collected in the popular anthology Three Hundred Tang Poems. 

Born into an impoverished family in Hunan Province, Gao eventually became a secretary in the military, enjoying a successful career.




From A Lute of Jade – Being selections from the Classical poets of China [The Wisdom of the East series] edited and translated by L.  Cranmer-Byng and Dr S. Kapadia [1918]

One of the most fascinating of all the Tang poets. His life was one long series of romantic adventures. 

At first, a poor youth battling with adversity; then the lover of an actress, whom he followed through the provinces, play-writing for the strolling troupe to which she was attached; the next, secretary to a high personage engaged in a mission to Thibet ; then soldier,- and finally poet of-renown, acquiring with his latter years the fortune and honours denied him in his youth.




The chief characteristics of his poetry are intense concentration, a vivid power of impressionism, and a strong leaning in the direction of the occult.




Indeed, one of his best-known poems, "The Return to the Mountains,” makes mention of the projection of the astral body through space during sleep. Many of his poems leave us with a strange sense of horror which is suggested rather than revealed.

It is always some combination of effects which produces this result, and never a concrete form.






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