[James] Bayard Taylor (January 11, 1825 – December 19, 1878) was an American poet, literary critic, translator, travel author, and diplomat. Taylor was born in Kennett Square in Chester County, Pennsylvania. He was the fourth son, the first to survive to maturity, of the Quaker couple, Joseph and Rebecca (née Way) Taylor. His father was a wealthy farmer.
....it runs in the blood. If there is any law I believe in, it is that of hereditary transmission of traits, qualities, capacities and passions. My father is a farmer, my grandfather was and his father before him and his, and his again to the seventh ancestor who came over in one of William Penn’s vessels.
The German connection
Taylor spoke fluent German and eventually, towards the end of his life, became United States Minister to Prussia. In 1862, he was appointed to the U.S. diplomatic service as secretary of legation at St. Petersburg, and acting minister to Russia for a time during 1862-3 after the resignation of Ambassador Simon Cameron. He also lectured at Cornell University around the 1870s on German literature.
His excellent command of the German language enabled him to write Bismarck: His Authentic Biography (1877) and produce a ‘poetic and excellent translation’ of Goethe's Faust (2 vols, Boston, 1870-71) in the original metres. His commentary upon Part II for the first time interpreted the motive and allegory of Faust in English, which is a real achievement, as Faust is exceptionally complex and rich in allegory and symbolic and esoteric meaning – the age old battle between Light and Dark.
At a more prosaic level, Taylor also wrote A school history of Germany (1882) and Studies in German Literature (1879)
In Berlin in 1856, Taylor met the great German scientist Alexander von Humboldt, hoping to interview him for the New York Tribune. Taylor saw Humboldt again in 1857 at Potsdam. Humboldt was welcoming, and even inquired whether they should speak English or German. The result was the book Life, Travels And Books Of Alexander Von Humboldt, The (1859).
Though he wanted to be known most as a poet, Taylor was mostly recognized as a travel writer during his lifetime and for his translation of Faust. Mark Twain, who once travelled to Europe on the same ship as Taylor, was said to be ‘envious of Taylor's command of German’.
Writing from the heart
1920 edition of Encyclopedia Americana:
It is by his translation of Faust, one of the finest attempts of the kind in any literature, that Taylor is generally known; yet as an original poet he stands well up in the second rank of Americans. His Poems of the Orient and his Pennsylvania ballads comprise his best work. His verse is finished and sonorous, but at times over-rhetorical.
Or so this writer thought. And indeed Bayard Taylor makes considerable use of rhetoric – ‘figures of speech in the form of a question that is asked to make a point rather than to elicit an answer’. Why? It is deliberate and intended to make people see, look, start observing their surroundings more. He is figuratively speaking shouting at people to get their heads out of books and newspapers [or these days mobile phones], and instead – head up – observe the wonder and beauty of the world about them. He celebrates the glory of creation, and his Quaker upbringing never left him in this respect.
In Nature, Bayard Taylor experienced God; as far as he was concerned every single leaf, flower, mountain stream and animal was a demonstration of the majesty and wonder of his Creator. His writing was a celebration of beauty, and he found it very difficult to reign in his enthusiasm and love for the world he lived in.
1911 edition of Encyclopædia Britannica:
Taylor felt, in all truth, the torment and the ecstasy of verse; but, as a critical friend has written of him, his nature was so ardent, so full-blooded, that slight and common sensations intoxicated him, and he estimated their effect, and his power to transmit it to others, beyond the true value. He had, from the earliest period at which he began to compose, a distinct lyrical faculty: so keen indeed was his ear that he became too insistently haunted by the music of others, pre-eminently of Tennyson. But he had often a true and fine note of his own. His best short poems are The Metempsychosis of the Pine and the well-known Bedouin love-song.
There is something almost comical about the critics appraisal of his work. For them his poetry and prose had to be judged using ‘academic standards’. They became quite excited about his critical essays “Taylor had himself in no inconsiderable degree ...that pure poetic insight which is the vital spirit of criticism. The most valuable of these prose dissertations are the Studies in German Literature (New York, 1879)”. Not that anyone reads these dissertations these days – except maybe academics.
But this appraisal gets closer to the real Bayard Taylor:
Appletons' Cyclopædia of American Biography 1889 - Edmund Clarence Stedman
His poetry is striking for qualities that appeal to the ear and eye, finished, sonorous in diction and rhythm, at times too rhetorical, but rich in sound, color, and metrical effects. His early models were Byron and Shelley, and his more ambitious lyrics and dramas exhibit the latter's peculiar, often vague, spirituality. Lars, somewhat after the manner of Tennyson, is his longest and most attractive narrative poem. Prince Deukalion was designed for a masterpiece; its blank verse and choric interludes are noble in spirit and mould. Some of Taylor's songs, oriental idyls, and the true and tender Pennsylvanian ballads, have passed into lasting favour, and show the native quality of his poetic gift.
Personal life and death
Bayard received his early instruction in an academy at West Chester, Pennsylvania, and later at nearby Unionville. His early years were marred with tragedy. He married Mary Agnew, in 1849, [when he was 24] but she died of tuberculosis the next year. But in October 1857, [aged 32] he married Maria Hansen, the daughter of the Danish/German astronomer Peter Hansen. The couple spent the following winter in Greece and then travelled together. In 1864 Taylor and his wife Maria returned to the U.S.
During March 1878, the U.S. Senate confirmed his appointment as United States Minister to Prussia, but a few months after arriving in Berlin, Taylor died there on December 19, 1878 aged only 53. His body was returned to the U.S. and buried in Kennett Square, Pennsylvania. The New York Times published his obituary on its front page, referring to him as "a great traveler, both on land and paper." Shortly after his death, Henry Wadsworth Longfellow wrote a memorial poem in Taylor's memory, at the urging of Oliver Wendell Holmes, Sr.
Traveller! in what realms afar,
In what planet, in what star,
In what vast, aerial space,
Shines the light upon thy face?
In what gardens of delight
Rest thy weary feet to-night?
Poet! thou, whose latest verse
Was a garland on thy hearse;
Thou hast sung, with organ tone,
In Deukalion's life, thine own;
On the ruins of the Past
Blooms the perfect flower at last.
Friend! but yesterday the bells
Rang for thee their loud farewells;
And to-day they toll for thee,
Lying dead beyond the sea;
Lying dead among thy books,
The peace of God in all thy looks!
Example Travel books
- Ximena, or the Battle of the Sierra Morena, and other Poems (1844) - At the age of seventeen, Taylor was apprenticed to a printer in West Chester. The influential critic and editor Rufus Wilmot Griswold encouraged him to write poetry. The volume that resulted, Ximena, or the Battle of the Sierra Morena, and other Poems, was published in 1844 and dedicated to Griswold
- Views Afoot, or Europe seen with Knapsack and Staff (1846) - Using the money from his poetry and an advance for travel articles, Taylor visited parts of England, France, Germany and Italy, making largely pedestrian tours for almost two years. He sent accounts of his travels to the Tribune, The Saturday Evening Post, and The United States Gazette. In 1846, he published a collection of those articles in two volumes as Views Afoot, or Europe seen with Knapsack and Staff. That publication resulted in an invitation to serve as an editorial assistant for Graham's Magazine for a few months in 1848.
- El Dorado; or, Adventures in the Path of Empire (1850) - Horace Greeley, editor of the New York Tribune, hired Taylor and sent him to California to report on the gold rush. He returned by way of Mexico and published a two-volume collection of travel essays, El Dorado; or, Adventures in the Path of Empire (1850). Within two weeks of release, the books sold 10,000 copies in the U.S. and 30,000 in Great Britain.
- Journey to Central Africa; or, Life and Landscapes from Egypt to the Negro Kingdoms of the White Nile, A (1854) - In 1851 Taylor traveled to Egypt, where he followed the Nile River as far as 12° 30' N. The book is also entitled A Journey to Central Africa Egypt and Soudan, 1851 (Abridged, Annotated)
- Lands of the Saracen; or, Pictures of Palestine, Asia Minor, Sicily and Spain, The (1854) - Taylor also travelled in Palestine and Mediterranean countries, writing poetry based on his experiences.
- A visit to India, China, and Japan in the year 1853 (1855) - Toward the end of 1852, he sailed from England to Calcutta, and then to China, where he joined the expedition of Commodore Matthew Calbraith Perry to Japan. This trip also resulted in the later books Japan in Our Day (1872) and "Sights In And Around Yedo" (1871)
- Cyclopedia of Modern Travel (1856) – and also Cyclopaedia of Modern Travel Vol I (1861) onwards
- Northern Travel: Summer and Winter Pictures (1857) - His series of articles Swedish Letters to the Tribune were republished as Northern Travel: Summer and Winter Pictures (1857).
- Travels in Greece and Russia, with an Excursion to Crete (1859)
- Colorado: A Summer Trip (1867) - In 1866, Taylor traveled to Colorado and made a large loop through the northern mountains on horseback with a group that included William Byers, editor of the newspaper Rocky Mountain News. His letters describing this adventure were later compiled and published as Colorado: A Summer Trip.
- Wonders of the Yellowstone - The Illustrated Library of Travel, Exploration and Adventure (with James Richardson) (1873)
- Egypt And Iceland In The Year 1874 (1875) - In 1874 Taylor travelled to Iceland to report for the Tribune on the one thousandth anniversary of the first European settlement there.
Taylor's most ambitious productions in poetry were his
- Masque of the Gods (Boston, 1872),
- Prince Deukalion; a lyrical drama (Boston, 1878),
- The Picture of St John (Boston, 1866),
- Lars; a Pastoral of Norway (Boston, 1873), - Taylor returned to the U.S. on December 20, 1853, and undertook a successful public lecturer tour that extended from Maine to Wisconsin. After two years, he went to northern Europe to study Swedish life, language and literature. The trip inspired his long narrative poem Lars.
- Rhymes of Travel: Ballads and Poems (1849)
- Romances, Lyrics, and Songs (1852)
- Poems of the Orient (Boston: Ticknor and Fields, 1855)
- Poems of Home and Travel (1856)
- Poet's Journal (1863)
- The Poems of Bayard Taylor (1865)
- Home Pastorals Ballads & Lyrics (1875)
- Diversions of the Echo Club (1873) - Taylor imitated and parodied the writings of various poets in Diversions of the Echo Club (London, 1873; Boston, 1876).
- Hanna Thurston (1863) - He published his first novel Hannah Thurston in 1863. It proved successful enough for his publisher to announce another novel from him the next year.
- Joseph and His Friend: A Story of Pennsylvania (1870) - His late novel, Joseph and His Friend: A Story of Pennsylvania (1870), first serialized in the magazine The Atlantic, was described as a story of young man in rural Pennsylvania and "the troubles which arise from the want of a broader education and higher culture.
- John Godfrey's Fortunes Related by Himself: A story of American Life (1864)
- The Story of Kennett (1866) – described as ‘a rollicking romance set in post-revolutionary Pennsylvania’. Taylor grew up in Kennett Square, PA and knew the area well.
- Beauty and the Beast– is Taylor’s version of Beauty and the Beast: A Story of Old Russia, and several other tales. His story is unlike the classical fable. A rather vicious prince who is generally drunk and who moves about with a whip in hand terrorizes his serfs in Russian. He is the beast. His son falls in love with a beautiful woman and marries her. His father is furious. The story continues by showing how the beautiful wife wins over the beastly prince. Darkness and Light.
- Who Was She? - a short story From "The Atlantic Monthly" for September, 1874. "Who Was She?" is a ‘lovely and moving short story’ about a man and a woman in the American Gilded Age who ‘grope toward emotional and intellectual intimacy’ entirely via the written word. She knows his identity; hers, over the year or two of their correspondence, is a mystery to him.
- The Prophet; a tragedy (Boston, 1874) – a play
For iPad/iPhone users: tap letter twice to get list of items.
- Bayard Taylor - A Night With A Wolf
- Bayard Taylor - Ariel In The Cloven Pine
- Bayard Taylor - Bedouin Song
- Bayard Taylor - Daughter Of Egypt
- Bayard Taylor - From the Sunshine Of The Gods
- Bayard Taylor - Metempsychosis of the Pine
- Bayard Taylor - Poems of the Orient – A Paean To The Dawn.
- Bayard Taylor - Poems of the Orient – A Pledge To Hafiz
- Bayard Taylor - Poems of the Orient – An Oriental Idyll
- Bayard Taylor - Poems of the Orient – El Khalil
- Bayard Taylor - Poems of the Orient – Hassan to his Mare
- Bayard Taylor - Poems of the Orient – Kamadeva
- Bayard Taylor - Poems of the Orient – Kilimanjaro
- Bayard Taylor - Poems of the Orient – Nubia
- Bayard Taylor - Poems of the Orient – Ode To Indolence
- Bayard Taylor - Poems of the Orient – The Angel of Patience
- Bayard Taylor - Poems of the Orient – The Arab Warrior
- Bayard Taylor - Poems of the Orient – The Garden of Irem
- Bayard Taylor - Poems of the Orient – The Phantom
- Bayard Taylor - Poems of the Orient – The Poet In The East
- Bayard Taylor - Poems of the Orient – The Wisdom of Ali
- Bayard Taylor - The Return Of The Goddess
- Bayard Taylor - To M. T.
- Bayard Taylor - Tyre
- Taylor, Bayard - The formidable whispering turned into a choral song, a grand hymn sung by thousands of voices, which spread very quickly from one hill to another