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Liszt - Christus-Oratorio - 03 2 Stabat mater
Identifier
024533
Type of Spiritual Experience
Background
Christus (S.3, composed 1862-1866) is an oratorio by the Hungarian composer and pianist Franz Liszt. The oratorio takes the traditional plot of Jesus Christ's life from his birth to his passion and resurrection, using Bible texts.
When Liszt, after his prolific Weimar years, moved to Rome in 1861, the majority of his works for the next ten years would be religious music for choir. The composition of his most famous oratorio, Christus, occupied Liszt from 1862 to 1866, with shorter or longer pauses. He finished the score by the end of September 1866, but he wished to make some revisions and corrections, and therefore the work was not completed until the December of that year. 'Christus' was published in 1872 and premiered in the Protestant church at Weimar on 29 May 1873.
The oratorio is of around three hours in duration and requires significant orchestral and vocal forces, which makes it rather a rarity in concert halls of today, and despite this most of the work is of almost chamber proportions and quite personal in mood. For the text Liszt uses the Bible, the Catholic liturgy and some ancient Latin hymns. It is of note that the role of the orchestra in the oratorio is really more significant than that of the chorus, the orchestra being the moving force of growth and development. This is unlike earlier, baroque and classical oratorios, where the chorus prevails, and the orchestra simply acts as a commentary, providing harmonic texture. The oratorio lacks recitative sections, although the score is periodically annotated with Latin passages as though explaining what the music is depicting, or the underlying emotional or religious relevance. It is unclear whether or not these passages are meant to be spoken by a narrator during the music. Some performances have done this to great effect, although the majority omit them.
The work consists of three parts:
- Part One: Christmas Oratorio (of five movements)
- Part Two: After Epiphany (of five movements)
- Part Three: Passion and Resurrection (of four movements)
and
Part Three: Passion and Resurrection
XI. Tristis est anima mea ('Sad is my soul')
XII. Stabat Mater dolorosa ('Stood the grievous Mother')
XIII. O filii et filiae ('O sons and daughters')
XIV. Resurrexit! ('He has risen!')
The 'Stabat Mater dolorosa' is an ancient Latin hymn, doleful and gloomy. This is the longest single movement of the entire work (approx. 30 mins.), and employs all the orchestra and vocal forces, but in a mood quite opposite to many usual oratorios where using all the vocals heralds glory and joy. The movement is in fact a long, painful lament of Mary's fate - to see the death of her son. Yet towards the end the music gathers strength, becomes at some places furious, passionate and victorious in tone. This, of course, anticipates Christ's resurrection, the victory of life over death.
A description of the experience
F. Liszt, Christus, S. 3 (1862-66) - 3. Stabat mater speciosa (with english and french subtitles)
The Stabat Mater is a 13th-century Catholic hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion.
Hungarian State Orchestra with the Hungarian Radio & TV Choir and Nyíregyháza Children's Choir. Dir Antal Dorati
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Stabat mater dolorósa |
At the Cross her station keeping, |
The source of the experience
Liszt, FranzConcepts, symbols and science items
Concepts
Symbols
Science Items
Activities and commonsteps
Activities
Overloads
GriefUnrequited love
Suppressions
Believing in the spiritual worldInherited genes
Squash the big I am