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Lowry, L S - The Removal
Identifier
015407
Type of Spiritual Experience
Background
Tate Gallery article
In The Removal (1928, above), a family that may have overstretched itself by renting a house with a small front garden is being evicted for non-payment – an event Lowry, a rent collector by profession, must have witnessed often, perhaps often initiated.
Their furniture is outside, divided into two lots, one in the garden presumably for them to keep, the other out in the street, distrained by the bailiffs who are arguing over it with members of the evicted family………….
Perhaps the most striking figures are those that hover on the edge of these narratives, unsure what to feel. There are several in The Removal, full of curiosity about what is going on, but stood at a tactful remove, evidently reluctant to get too close. Their posture shows at once their wish to stay and watch, and their sense that they should really be moving on. They register the impossibility of privacy at the same time as they sense the need for it. If they could afford to, they would be the first to move away.