Does heaven exist? With well over 100,000 plus recorded and described spiritual experiences collected over 15 years, to base the answer on, science can now categorically say yes. Furthermore, you can see the evidence for free on the website allaboutheaven.org.

Available on Amazon
also on all local Amazon sites, just change .com for the local version (.co.uk, .jp, .nl, .de, .fr etc.)


This book, which covers Visions and hallucinations, explains what causes them and summarises how many hallucinations have been caused by each event or activity. It also provides specific help with questions people have asked us, such as ‘Is my medication giving me hallucinations?’.

Available on Amazon
also on all local Amazon sites, just change .com for the local version (.co.uk, .jp, .nl, .de, .fr etc.)

Symbols - What does heaven look like


A marsh is a mixture of Water and Earth, as such symbolically it is about the closest you can get to Earth and away from Spirit and the spiritual world, whilst being still partly in the spiritual world.  It is a sort of half way point, neither in nor out.

Symbolically it is always depicted as a gloomy place because it is so close to the Earth and thus the physical world, but this of course is seeing it from a negative perspective.  For those of us that have spent most of their lives in the Earth, even a small amount of paddling around in a marsh is quite welcome which is why my marsh lady below is in sunshine.  This, however, would be viewed by purists as incorrect symbolism!

A Dictionary of Symbols – J E Cirlot
According to Schneider, marshlands are a symbol of the decomposition of the spirit; that is, they are the place in which this occurs because of the lack of the two active elements - air and fire, and the fusion of the two passive elements – water and earth.
Therefore in legends, novels of chivalry etc marshes appear with this meaning.  In the story of Gawain, knight of the Round Table, the protagonist finds himself in a marsh , and this implies his inability to bring his enterprise to a successful conclusion, just as when he is unable to mend 'the broken sword'.  In The Lovers by Leslie Stevens, the protagonist finds himself obliged to defend marshlands from a tower which has been profaned, premonitory signs of his downfall and death

My painting shows nothing one could interpret as the ‘decomposition of the spirit’ unless you think a naked lady with large boobs is a decomposition of the spirit [which I don’t] , because I saw marshland as simply the combination of the spiritual and the physical, but in the majority of poems and other allegorical texts, Cirlot’s interpretation is of course correct.


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