WHAT AND WHERE IS HEAVEN?

Does heaven exist? With well over 100,000 plus recorded and described spiritual experiences collected over 15 years, to base the answer on, science can now categorically say yes. Furthermore, you can see the evidence for free on the website allaboutheaven.org.

Available on Amazon
https://www.amazon.com/dp/B086J9VKZD
also on all local Amazon sites, just change .com for the local version (.co.uk, .jp, .nl, .de, .fr etc.)

VISIONS AND HALLUCINATIONS

This book, which covers Visions and hallucinations, explains what causes them and summarises how many hallucinations have been caused by each event or activity. It also provides specific help with questions people have asked us, such as ‘Is my medication giving me hallucinations?’.

Available on Amazon
https://www.amazon.com/dp/B088GP64MW 
also on all local Amazon sites, just change .com for the local version (.co.uk, .jp, .nl, .de, .fr etc.)

Sources returnpage

Spilliaert, Leon

Category: Artist and sculptor

Léon Spilliaert (1881 –1946) was a Belgian symbolist painter and graphic artist.

Spilliaert was born in Ostend, the oldest of seven children of Léonard-Hubert Spilliaert, who was a perfumer, and Léonie (née Jonckheere). From childhood, he displayed an interest in art and drawing.

He was predominantly a self-taught artist.

Sickly and reclusive, he spent most of his youth sketching scenes of ordinary life and the Belgian countryside. When he was 21, he went to work in Brussels for Edmond Deman, a publisher of the works of symbolist writers, which Spilliaert was to illustrate. He especially admired the work of Edgar Allan Poe.

Watercolor, gouache, pastel, and charcoal—often in combination—were the means by which he produced many of his best works, among which are a number of monochrome self-portraits, executed in the early years of the twentieth century.

According to the book Symbolism by Michael Gibson and Gilles Neret, Spillaert suffered from chronic insomnia when he was producing his best works, but he also seems to have been suffering from melancholy – great sadness.  He frequently depicts lonely figures in dreamlike settings.

It is noticeable that his work became less spiritual and symbolic after he married and had a daughter [and was presumably happier].

His later work shows a concentration on seascapes. He died on 23 November 1946 in Brussels.

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