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Waits, Tom - Town with no Cheer
Identifier
021869
Type of Spiritual Experience
Background
After leaving Asylum for Island Records, Waits released Swordfishtrombones in 1983, a record that marked a sharp turn in his musical direction. While Waits had before played either piano or guitar, he now gravitated towards less common instruments, saying, "Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone."
Swordfishtrombones also introduced instruments such as bagpipes ("Town with No Cheer") and marimba ("Shore Leave") to Waits' repertoire, as well as pump organs, percussion, horn sections (often featuring Ralph Carney playing in the style of brass bands or soul music), experimental guitar, and obsolete instruments (many of Waits' albums have featured a damaged, unpredictable Chamberlin, and more recent albums have included the little-used Stroh violin).
His songwriting shifted as well, moving away from the traditional piano-and-strings ballad sound of his 1970s output towards a number of styles largely ignored in pop music, including primal blues, cabaret stylings, rhumbas, theatrical approaches in the style of Kurt Weill, tango music, early country music and European folk music as well as the Tin Pan Alley-era songs that influenced his early output. He also recorded a spoken word piece, "Frank's Wild Years", influenced by Ken Nordine's "word jazz" records of the 1950s
A description of the experience
Tom Waits - Town with no Cheer
"Town With No Cheer"
Well it's hotter 'n blazes and all the long faces
there'll be no oasis for a dry local grazier
there'll be no refreshment for a thirsty jackaroo
from Melbourne to Adelaide on the overlander
with newfangled buffet cars and faster locomotives
the train stopped in Serviceton less and less often
There's nothing sadder than a town with no cheer
Voc Rail decided the canteen was no longer necessary there
no spirits, no bilgewater and 80 dry locals
and the high noon sun beats a hundred and four
there's a hummingbird trapped in a closed down shoe store
This tiny Victorian rhubarb
kept the watering hole open for sixty five years
now it's boilin' in a miserable March 21 st
wrapped the hills in a blanket of Patterson's curse
the train smokes down the xylophone
there'll be no stopping here
all ya can be is thirsty in a town with no cheer
no Bourbon, no Branchwater
though the townspeople here
fought her Vic Rail decree tooth and nail
now it's boilin' in a miserable March 21 st
wrapped the hills in a blanket of Patterson's curse
the train smokes down the xylophone
there'll be no stopping here
all ya can be is thirsty in a town with no cheer